Baby Rose / Yearnalism
Brief / context
Creative work across Baby Rose’s Yearnalism album: album creative, motion graphics, production and post-production through 90° Collective, alongside creative editing and design for the Dropbox artist-story project. The work connects the album’s visual world with its films and the archive of its making.
My role
Creative editing & design for the Dropbox project; album creative, motion graphics and post-production. Executive producer and assistant editor on Friends Again; executive producer, assistant editor and colorist on Better; executive producer, editor, VFX and colorist on Let Me Go.
Yearnalism: album imagery & artwork
Yearnalism: an album world in motion
My work for Baby Rose’s Yearnalism extended beyond individual music videos into album creative, motion graphics and post-production. The album artwork anchors the project, while moving-image work carries its visual identity into the wider release.
Album creative
I contributed creative work, motion graphics and post-production for the album, alongside film-specific production and editing responsibilities. These are connected parts of the release, with individual credits kept distinct below.
Dropbox collaboration
For the Dropbox project, I contributed creative editing and design. The artist story opens up the making of Yearnalism, bringing process material and finished work into a public-facing view of the album’s creative world.
Dropbox × Baby Rose: inside the making of Yearnalism
The Dropbox Studio story presents Yearnalism as a living archive: footage, photographs, artboards and memories collected through the making of the album. My contribution was creative editing and design for the Dropbox project, not the Dropbox website itself.
The process behind the finished work
A still from the Dropbox artist story sits alongside Yearnalism portrait imagery, connecting the album’s visual world with the process behind the release. Photography is shown for project context, not claimed as my own.
Friends Again: the album on screen
For Friends Again featuring Leon Thomas, I contributed executive production and assistant editing. Directed by Marion Mikhail with creative direction by Amaya Segura, the film sits alongside Better and Let Me Go within the Yearnalism release.
Better: a restrained interior portrait
Architectural interiors and natural light give Better an intimate visual setting. My contribution combined executive production with assistant editing and color, supporting a film centered on self-worth and emotional resolve.
My roles: Executive Producer · Assistant Editor · Colorist. Director: Amaya Segura. Director of Photography, Editor & VFX: Godfred C. Sedano.
Let Me Go: space for emotional tension
Shot in upstate New York, Let Me Go moves into open landscapes and soft natural light. I contributed executive production, editing, VFX and color, working across the production and post-production stages of the film.
My roles: Executive Producer · Editor & VFX · Colorist. Director: Amaya Segura. Director of Photography: Godfred C. Sedano.
Two films, distinct contributions
Better and Let Me Go share an artist, director and production company, but my post-production responsibilities differ. Keeping those distinctions visible gives a clearer view of where I contributed: supporting the edit on Better, and taking on editing and VFX on Let Me Go, alongside executive production and color on both.
Deliverables / outcome
Album creative and motion work, creative editing and design for the Dropbox collaboration, and production and post-production contributions to Friends Again, Better and Let Me Go. Film-specific responsibilities and collaborators are credited separately.
Credits
- Baby Rose — artist. Dropbox Studio — artist-story platform.
- Emmanuel Harmon — Dropbox creative editing & design; Yearnalism album creative, motion graphics & post-production.
- Marion Mikhail — director, Friends Again. Amaya Segura — creative direction, Friends Again.
- Emmanuel Harmon (credited as Caine Harmon) — executive producer & assistant editor, Friends Again.
- Natasha Abdul — cinematographer; Erick Barr — editor; Joseph Bicknell — colorist, Friends Again.
- Amaya Segura — director, Better & Let Me Go.
- Godfred C. Sedano — director of photography, Better & Let Me Go; editor & VFX, Better.
- Emmanuel Harmon (credited as Caine Harmon) — executive producer, assistant editor & colorist, Better; executive producer, editor & VFX & colorist, Let Me Go.
- 90° Collective — production company.